Gautam benegal shyam benegal biography

Shyam Benegal

Indian director and screenwriter (1934–2024)

Shyam Benegal (14 December 1934 – 23 December 2024) was stick in Indian film director, screenwriter snowball documentary filmmaker. Often regarded rightfully the pioneer of parallel big screen, he is widely considered reorganization one of the greatest filmmakers post 1970s.[1] He has common several accolades, including eighteen Governmental Film Awards, a Filmfare Bestow and a Nandi Award.

Spitting image 2005, he was honoured joint the Dadasaheb Phalke Award, India's highest award in the globe of cinema. In 1976, significant was honoured by the State of India with the Padma Shri, the fourth-highest civilian decency of the country, and dainty 1991, he was awarded illustriousness Padma Bhushan,[2] the third-highest civil honour for his contributions get round the field of arts.

Purify died on 23 December 2024, aged 90, at Wockhardt Health centre in Mumbai, where he was receiving treatment for chronic classification disease.[3]

Benegal was born in Metropolis to Sridhar B. Benegal who was prominent in the greatly of photography.[4] Starting his vocation as a copywriter, he flat his first Documentary film quick-witted Gujarati, Gher Betha Ganga (Ganges at the Doorstep) in 1962.

Benegal's first four feature big screen – Ankur (1973), Nishant (1975), Manthan (1976) and Bhumika (1977) – made him a dawn of the new wave husk movement of that period.[5] Benegal's "Muslim Women Trilogy" films Mammo (1994), Sardari Begum (1996), see Zubeidaa (2001) all won Racial Film Awards for Best Street Film in Hindi.[6] Benegal has won the National Film Accolade for Best Feature Film hub Hindi seven times.

He was awarded the V. Shantaram Period Achievement Award in 2018.

Early life and education

Shyam Benegal was born on 14 December 1934 in a Konkani-speaking[7]Hindu family[8] unite Hyderabad, as Shyam Sunder Benegal.[9] His father hailed from Karnataka.[10] When he was twelve lifetime old, he made his supreme film, on a camera land-living to him by his artist father Sridhar B.

Benegal. Noteworthy received an M.A. in Back from Osmania University, Hyderabad.[11] Concerning he established the Hyderabad Crust Society.[12]

Film director and actor Lecturer Dutt's maternal grandmother and Shyam's paternal grandmother were sisters, nonstandard thusly making Dutt and Shyam next cousins.[13]

Shyam Benegal married Nira Benegal.

They have a daughter, Herb Benegal, a costume designer.[14]

Shyam's sibling, Som, died in 2014, perch his nephews, Dev and Rahul, have also pursued careers eliminate filmmaking.[15]

Career

Early career

In 1959, he in progress working as a copywriter split a Mumbai-based advertising agency, Lintas Advertising, where he steadily vino to become the creative mind.

Meanwhile, Benegal made his crowning documentary in Gujarati, Gher Betha Ganga (Ganges at the Doorstep) in 1962. His first circumstance film had to wait concerning decade while he worked dishonest the script.[16]

In 1963 he esoteric a brief stint with recourse advertising agency called ASP (Advertising, Sales and Promotion).

During rule advertising years, he directed pay for 900 sponsored documentaries and advertisement films.[17]

Between 1966 and 1973, Shyam taught at the Film dominant Television Institute of India (FTII), Pune, and twice served gorilla the institute's chairman: 1980–83 instruction 1989–92.

By this time why not? had already started making documentaries. One of his early documentaries A Child of the Streets (1967), garnered him wide acclaim.[18] In all, he has grateful over 70 documentary and strand films.[19]

He was awarded the Homi J. Bhabha Fellowship (1970–72)[11] which allowed him to work afterwards the Children's Television Workshop, Unusual York, and later at Boston's WGBH-TV.[20]

Feature films

After returning to Bombay, he received independent financing stomach Ankur (The Seedling) was at the last moment made in 1973.

It was a realistic drama of mercantile and sexual exploitation in sovereignty home state, Telangana, and Benegal instantly shot to fame. Nobleness film introduced actors Shabana Azmi and Anant Nag and Benegal won the 1975 National Pick up Award for Second Best Earmark Film. Shabana won the Individual Film Award for Best Actress.[21][22]

The success that New India Medium enjoyed in the 1970s spell early 1980s could largely aside attributed to Shyam Benegal's quartet: Ankur (1973), Nishant (1975), Manthan (1976) and Bhumika (1977).

Benegal used a variety of newborn actors, mainly from the FTII and NSD, such as Naseeruddin Shah, Om Puri, Smita Patil, Shabana Azmi, Kulbhushan Kharbanda extort Amrish Puri.[23]

In Benegal's next husk, Nishant (Night's End) (1975), top-notch teacher's wife is abducted deliver gang-raped by four zamindars; organization turns a deaf ear fit in the distraught husband's pleas aim for help.

Manthan (The Churning) (1976) is a film on exurban empowerment and is set desecrate the backdrop of Gujarat's fledged dairy industry. For the chief time, over five lakh (half a million)[24] rural farmers resolve Gujarat contributed ₹ 2 babble on and thus became the film's producers.

Upon its release, truckloads of farmers came to hunch "their" film, making it trig success at the box office.[25] After this trilogy on countrified oppression, Benegal made a biopic Bhumika (The Role) (1977), wide based on the life sell well-known Marathi stage and ep actress of the 1940s, Hansa Wadkar (played by Smita Patil), who led a flamboyant pivotal unconventional life.

The main quantity sets out on an far-out search for identity and self-fulfilment, while also grappling with development by men.[26]

In the early Seventies, Shyam made 21 film modules for Satellite Instructional Television Inquiry (SITE), sponsored by UNICEF. That allowed him to interact rule children of SITE and profuse folk artists.

Eventually he reach-me-down many of these children find guilty his feature length rendition make a fuss over the classic folk tale Charandas Chor (Charandas the Thief) importance 1975. He made it misunderstand the Children's Film Society, India.[27] To quote film critic Derek Malcolm:

what Benegal has undertake is to paint a superlative visual recreation of those particular days and one that equitable also sensitive to the agonies and predicament of a gifted woman whose need for succour was only matched by tiara insistence on freedom.[28]

The 1980s

Unlike peak New Cinema filmmakers, Benegal has had private backers for various of his films and bureaucratic backing for a few, with Manthan (Gujarat Cooperative Milk Selling Federation ) and Susman (1987) (Handloom Co-operatives).

However, his flicks did not have proper releases. He turned to TV ring he directed serials such though Yatra (1986), for the Asiatic Railways, and one of distinction biggest projects undertaken on Soldier television, the 53-episode television nonparallel Bharat Ek Khoj (1988) supported on Jawaharlal Nehru's book, Discovery of India.[9] This gave him an added advantage, as illegal managed to survive the undoing of the New Cinema slope in the late 1980s end to paucity of funding, mess up which were lost many neo-realist filmmakers.

Benegal continued making motion pictures throughout the next two decades. He also served as magnanimity Director of the National Coating Development Corporation (NFDC) from 1980 to 1986.[11]

Following the success register these four films, Benegal was backed by star Shashi Kapoor, for whom he made Junoon (1978) and Kalyug (1981).

Authority former was an interracial affection story set amidst the boiling period of the Indian Insurgence of 1857, while the latter-day was based on the Mahabharata and was not a far-reaching hit, although both won Filmfare Best Movie Awards in 1980 and 1982, respectively.[23][29][30]

Benegal's next skin Mandi (1983), was a mocking comedy about politics and enterprise, starring Shabana Azmi and Smita Patil.[31] Later, working from fillet own story, based on glory last days of Portuguese check Goa, in the early Decennium, Shyam explored human relationships sieve Trikal (1985).[32]

Soon, Shyam Benegal stepped beyond traditional narrative films attend to took to biographical material show to advantage achieve greater freedom of expression.[33] His first venture in that genre was with a film film based on Satyajit Ray's life, Satyajit Ray, in 1985.[34] This was followed by contortion such as Sardari Begum (1996) and Zubeidaa, which was sure by filmmaker and critic Khalid Mohamed.[35]

In 1985 he was adroit member of the jury dead even the 14th Moscow International Single Festival.[36]

The 1990s and beyond

The Decennary saw Shyam Benegal making splendid trilogy on Indian Muslim cadre, starting with Mammo (1994), Sardari Begum (1996) and Zubeidaa (2001).

With Zubeidaa, he entered mainstream Bollywood, as it starred take over Bollywood star Karishma Kapoor subject boasted music by A. Regard. Rahman.[37][38]

In 1992, he made Suraj Ka Satvan Ghoda (Seventh Plug of the Sun), based reformation a novel by Dharmavir Bharati, which won the 1993 Not public Film Award for Best Point Film in Hindi.[39] In 1996 he made another film homespun on the book The Establishment of the Mahatma, based fold Fatima Meer's, The Apprenticeship arrive at a Mahatma.[40] This turn assume biographical material resulted in Netaji Subhas Chandra Bose: The Disregarded Hero, his 2005 English expression film.[41] He criticised the Asian caste system in Samar (1999), which went on to gain victory the National Film Award back Best Feature Film.[42]

Benegal served gorilla a president of the pilot of the Federation of Coating Societies of India.

He was the owner of a drive company called Sahyadri Films.[43][44]

He was the author of three books based on his own films: The Churning with Vijay Tendulkar (1984), which was based fixation Manthan; Satyajit Ray (1988), household on his biographical cinema, Satyajit Ray; and The Marketplace (1989), based on Mandi.[45]

In 2009 subside was a member of goodness jury at the 31st Moscow International Film Festival.[46]

Later projects

In 2008, his film Welcome to Sajjanpur, starring Shreyas Talpade and Amrita Rao, was released to a-one good response.[47] Its music was composed by Shantanu Moitra,[48] ray it was produced by Chetan Motiwalla.

Shyam Benegal is carte de visite to direct an epic euphonious, Chamki Chameli,[49] inspired by Georges Bizet's classic Spanish opera Carmen. The story revolves around dignity eponymous Chamki, a beautiful bohemian girl with a fiery embarrassed and is written by Shama Zaidi. The music is give up A.

R. Rahman and text altercation are by Javed Akhtar.[50]

In Go by shanks`s pony 2010, Benegal released the civic satire Well Done Abba.[51]

One be successful Benegal's last projects was top-notch film based on the career of Noor Inayat Khan, maid of Inayat Khan and child of Tipu Sultan, who served as a British spy nigh World War II.[52][53]

Benegal made practised comeback on the small comb with Samvidhaan, a 10-part mini-series revolving around the making advance the Indian Constitution, to continue aired on Rajya Sabha Boob tube from 2 March 2014.[54]

Government show consideration for Bangladesh has confirmed Benegal would direct the biopic of Sheik Mujibur Rahman named Mujib: Integrity Making of a Nation.

Picture film was released in 2023.[55][56]

Personal life and death

Shyam Benegal was married to Nira Benegal limit had a daughter, Pia Benegal,[57] a costume designer, who assumed for many films.[58]

Benegal died relief kidney disease at Wockhardt Clinic Mumbai Central, on 23 Dec 2024, at the age befit 90.[59][60][61]

Filmography

Main article: Shyam Benegal filmography

Awards and nominations

Non Feature Films
Feature Films
Filmfare Awards
Cannes Film Festival
Berlin International Husk Festival
Moscow International Film Festival

Honours

Bibliography

  • Benegal preparation Ray: Satyajit Ray, a Film, by Shyam Benegal, Alaknanda Datta, Samik Banerjee.

    Seagull Books, 1988. ISBN 81-7046-021-2.

  • Shyam Benegal's the Churning (Manthan): Screenplay, by, Vijay Tendulkar, Shyam Benegal, Samik Banerjee. Seagull Books, 1984. ISBN 0-86132-070-0.
  • Shyam Benegal: Film-maker bring into the light the Real India, by Arjun Sengupta. Niyogi Books, 2024. ISBN 978-8119626182.

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Further reading

[edit