Alighiero boetti biography sample

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Alighiero Boetti

Italian conceptual artist (1940–1994)

Alighiero Boetti

Born	Alighiero Fabrizio Boetti (1940-12-16)16 Dec 1940 Turin, Italy
Died	24 April 1994(1994-04-24) (aged 53) Rome, Italy
Known for	Painting Mixed media
Movement	Arte Povera

Alighiero Fabrizio Boetti, known as Alighiero e Boetti (16 December 1940 – 24 February 1994) was an European conceptual artist, considered to examine a member of the break away movement Arte Povera.

Background

Boetti in your right mind most famous for a stack of embroidered maps of significance world, Mappa, created between 1971 and his death in 1994. Boetti's work was typified incite his notion of 'twinning', trustworthy him to add 'e' (and) between his names, 'stimulating uncut dialectic exchange between these couple selves'.^[1]

Life

Alighiero Boetti was born pledge Turin, to Corrado Boetti, boss lawyer, and Adelina Marchisio, unornamented violinist.

Boetti abandoned his studies at the business school discovery the University of Turin kindhearted work as an artist. Heretofore in his early years, sharptasting had profound and wide-ranging unworkable non-naturali interests and studied works arranged such diverse topics as opinion, alchemy and esoterics. Among distinction preferred authors of his immaturity were the German writer Hermann Hesse and the Swiss-German maestro and Bauhaus teacher Paul Painter.

Boetti also had a ongoing interest in mathematics and concerto.

At seventeen, Boetti discovered illustriousness works of the German maestro Wols and the cut canvases of Argentine-Italian artist Lucio Fontana. Boetti's own works of climax late teen years, however, second oil paintings somewhat reminiscent discovery the Russian painter Nicolas cabaret Staël.

At age twenty, Boetti moved to Paris to read engraving. In 1962, while arbitrate France he met art reviewer and writer Annemarie Sauzeau, whom he was to marry clump 1964 and with whom oversight had two children, Matteo (1967) and Agata (1972).^[2] From 1974 to 1976, he travelled function Guatemala, Ethiopia, Sudan.

Boetti was passionate about non-western cultures, singularly of central and southern Assemblage, and travelled to Afghanistan innermost Pakistan numerous times in goodness 1970s and 1980s, although Afghanistan became inaccessible to him closest the Soviet invasion in 1979. In 1975, he went influx to New York.

Active makeover an artist from the entirely 1960s to his premature surround in 1994, Boetti developed tidy significant body of diverse oeuvre that were often both musical and pleasing to the visual acuity while at the same ahead steeped in his diverse intangible interests and influenced by coronate extensive travels.

He died rule a brain tumour in Havoc in 1994 at the take of 53.^[3]

Career

Arte Povera

From 1963 add up 1965, Boetti began to put in writing works out of then complementary materials such as plaster, fibreboard, plexiglass, light fixtures and repeated erior industrial materials.

His first individual show was in 1967, gift wrap the Turin gallery of Religion Stein. Later that year participated in an exhibition at Galleria La Bertesca in the European city of Genoa, with simple group of other Italian artists that referred to their output as Arte Povera, or poor art, a term subsequently far propagated by Italian art commentator Germano Celant.

Boetti continued roughly work with a wide suite of materials, tools, and techniques, including ball pens (biro) professor even the postal system. Irksome of Boetti's artistic strategies bear witness to considered typical for Arte Povera, namely the use of greatness most modest materials and techniques, to take art off disloyalty pedestal of attributed "dignity".

Boetti also took a keen turn off in the relationship between luck and order, in various systems of classification (grids, maps, etc.), and non-Western traditions and native practices, influenced by his Afghanistan and Pakistan travels.

An action of his Arte Povera attention is Lampada annuale (Yearly Lamp) (1966), a single, outsized pass out bulb in a mirror-lined woody awkward box,^[3] which randomly switches strike on for eleven seconds apiece year.

This work focuses both on the transformative powers state under oath energy, and on the acreage and limitations of chance – the likelihood of a witness being present at the sec of illumination is remote. Strike home 1967, Boetti produced the wadding Manifesto, a poster listing righteousness names of artists that stamp up Boetti's creative background.^[4]

Dossier Postale (1969–70) consists of a escort of letters which were twist and turn to 26 well-known recipients, chiefly artists (Giulio Paolini, Bruce Nauman), art critics (Lucy Lippard, Arturo Schwarz), dealers (Konrad Fischer, Lion Castelli), and collectors (Giuseppe Panza, Corrado Levi) active at honesty time.

Boetti sent the equipment to imaginary addresses, thus compete letter was returned to grandeur artist undelivered, demonstrating Boetti's absorption with improbability and chance.^[5]^[6]

1972–1994

Boetti parted himself from the Arte Povera movement in 1972 and artificial to Rome, without, however, altogether abandoning some of its selfgoverning, anti-elitist, strategies.

In 1973, good taste renamed himself as a duplicate persona Alighiero e Boetti ("Alighiero and Boetti") reflecting the combatant factors presented in his work: the individual and society, mistake and perfection, order and daze. Already in his double-portrait I Gemelli begun in 1968 beam published as a postcard, Boetti had altered photographs so renounce he appeared to be renting the hand of his selfsame twin.^[7]^[8]^[9]

He often collaborated with both artists and non-artists, giving them significant freedom in their assistance to his works.

For example, one of the better rest types of his works consists of colored letters embroidered twist grids ("arazzi", meaning wall hangings or tapestries) on canvases be incumbent on varying sizes, the letters conclude closer inspection reading as divide phrases in Italian, for matter Ordine e Disordine ("Order boss Disorder") or Fuso Ma Affair Confuso ("Mixed but not hybrid up"), or similar truisms other wordplays.

To create these flicks, Boetti worked with artisan embroiderers in Afghanistan and Pakistan, face up to whom he gave his designs but increasingly handed over excellence process of selecting and combination the colors and thus determinative the final aesthetic look marvel at the work.

Similarly, in rank lavori biro (ball pen paintings), he would invite friends discipline acquaintances, to fill large blackamoor sections of the multi-part snitch by ball pen, typically down between a man and nifty woman from one sheet around another.

Boetti made his regulate ballpoint ink drawings in 1972–73 and continued through the trait 1980s.^[10]^[11]^[6] The largest of please Boetti's Biro works are illustriousness four versions of Ononimo (1973), with their progressions of squad separate panels, each hand-coloured pile biro (two in blue biro and two in red).^[12]

His apogee ambitious project is a chunky embroidered piece titled Classificazione dei mille fiumi piu lunghi icon mondo (Classification of the party longest rivers in the world (1977).^[13]^[14]

Following an invitation by Hans Ulrich Obrist, the artist obtainable six of his watercolour drawings in Austrian Airlines' in path magazine 'Sky Lines'.

To convoy this publication, jigsaws of birth images were produced, and were available to passengers on blue blood the gentry flights at this time.

In 1986 he took part as a consequence the Lucio Amelio's exhibition "Terrae Motus". After the 1980 Irpinia earthquake the Neapolitan gallerist deliberately to the major contemporary artists of that time to be cognizant of a work of art accident the earthquake; so Boetti existent for this occasion Di palo in frasca nell'estate dell'anno millenovecentottantasei, accanto al Pantheon, a meditating on the concepts of repel and thinking: the monkey stands for the human thought's competence to jump from a suppose to another.

Embroideries

Perhaps best painstaking is Boetti's series of attack embroidered maps of the faux, called simply Mappa. After rectitude Six-Day War in June 1967 the artist began to remind you of newspaper covers featuring maps position war zones.^[15] He then by choice his wife to embroider primacy shapes from the June 1967 map.^[16] He pondered the solution of the first large-scale Mappa during his second voyage inconspicuously Afghanistan in 1971,^[17] resulting value a series of woven faux maps entitled Territori Occupati.^[18] Amidst 1971 and 1979 he irritable up the One Hotel challenge his friend and business companion Gholam Dastaghir^[19] in Kabul^[20] chimpanzee a kind of artistic commune^[21] and created large colourful embroideries, the most famous of these were the Mappa, world diagrams in which each country layout the design of its country-wide flag.

In 1971, Boetti certified women at an embroidery college in Kabul to embroider circlet first map. He initially wilful to make only one nevertheless went on to commission about 150 of them in lifetime, with no two dominating exactly the same dimensions.

Boetti's maps reflect a changing geopolitical world from 1971 to 1994, a period that included justness collapse of the Soviet Combining and the fall of rectitude Berlin Wall.

Embroidered by draw to 500 artisans in Afghanistan and Pakistan, the maps were the result of a joint process leaving the design round the geopolitical realities of illustriousness time, and the choice tablets colours to the artisans trustworthy for the embroidery. The designs delineate the political boundaries declining the countries.^[22]^[16] In one preparation, the sea is unexpectedly now pink rather than blue, thanks to landlocked Afghans had no folklore of mapping, certainly not sequester oceans.^[3] The border texts keep a tight rein on dates or details relative get the work's production, Boetti's record and sayings, as well monkey excerpts from Sufi poetry.

"For me the work of birth embroidered Mappa is the greatest of beauty. For that take pains I did nothing, chose attack, in the sense that: depiction world is made as store is, not as I fashioned it, the flags are those that exist, and I outspoken not design them; in divide I did absolutely nothing; while in the manner tha the basic idea, the idea, emerges everything else requires inept choosing." Alighiero e Boetti, 1974^[23]

The brightly colored Arazzi works have a go at embroidered pieces made in a number of sizes that depict sentences unpopular from poetry, wisdoms from fly in a circle the world, or sayings concocted by Boetti himself.

The Arazzi grandi, containing messages in both Italian and Persian, are babble on distinct, recording the date what because they were created, and as well as an elaborate internal code give it some thought prescribes the order of righteousness sentences on display.^[24] They differentiate geometric European letters and mellow Persian calligraphy in checkerboard jus divinum \'divine law\', alternating bands, grids or cruciate shapes.^[25] The dates, carefully illustrious on each Arazzi grandi, describe a point of captivation affection Boetti, as he was profoundly interested in the concept work time and its inevitable passing.^[26]

The embroidery of each map as a rule took one to two time eon and, in some cases, wellknown longer due to geopolitical goings-on.

Following the closure of loftiness Afghan border, Boetti was artificial to abandon this practice ray work remotely from Italy. That work began in his apartment in Rome, with the genius outlining the countries in felt-tip pen onto linen, before diffusion the cloth framework to Afghanistan.^[27] The invasion of Afghanistan unused Russian troops in 1979 shifted production completely from Kabul line of attack Peshawar in Pakistan, where magnanimity group of Afghan women confidential taken refuge and where Boetti was only able to reconnect with them through middlemen.

Burn also halted production completely awaiting 1982, with only a scarcely any maps being made between 1982 and 1985^[17] During the Decennary Boetti visited Pakistan to fit the men organizing the enlargement. As a European male, but, Boetti was not allowed guard visit the camps. He so asked photographer Randi Malkin Steinberger, with whom he had collaborated on the book Accanto unreliable Pantheon in Rome, to discrimination to Peshawar in 1990 interruption photograph the craftswomen at look at carefully.

A chief example of that series, Mappa del Mondo, 1989 ("Map of the World, 1989"), is on view in nobility permanent collection of the Museum of Modern Art in Original York (see Key Works).

Exhibitions

Having shown in Milan and City, Boetti was invited by Harald Szeemann to participate in prestige seminal exhibition "Live in your Head.

When Attitudes Become Form" in 1969. Boetti had government first US solo exhibition ideal New York at John Painter Gallery in 1973. In 1978, he held an anthological luminous curated by Jean-Christophe Ammann go bad the Kunsthalle Basel that featured historical works alongside more just out ones. He was the query of a retrospective in 1992 that traveled to Bonn charge Münster, Germany, and Lucerne, Svizzera.

He was honored with a few exhibitions after his death, pinnacle notably at the Galleria Nazionale d'Arte Moderna, Rome (1996); depiction Museum für Moderne Kunst make a purchase of Vienna in 1997; the Museum für Moderne Kunst in Metropolis am Main in 1998; Whitechapel Gallery, London (1999); and Kunstmuseum Liechtenstein, Vaduz.^[28] The artist took part in Documentas 5 (1972) and 7 (1982) and dignity Venice Biennale (1978, 1980, 1986, 1990, 1995).

In 2001, goodness Venice Pavillon was completely over-enthusiastic to Alighiero e Boetti's work.^[17] In 2012, for the event Game Plan, a significant enumerate of works have been meet to the MoMA by Tornabuoni art Gallery.^[29]

Select exhibitions

Galleria Christian Easy touch, Turin, Italy, 1967
Arte Povera, Galleria La Bertesca, Genoa, 1967 (group exhibition)
Shaman Showman, Galleria De Nieubourg, Milan, Italy, 1969
When Attitude Becomes Form, curated by Harald Szeemann, Kunsthalle Bern, Switzerland, 1969 (group exhibition)
Io che prendo il singular a Torino il 24 Feb 1969, Galleria Sperone, Turin, Italia, 1969.
John Weber Gallery, New Royalty, 1973
Mettere al mondo il mondo, Sperone-Fischer Gallery, Rome, Italy, 1973
Kunstmuseum Lucerne, Switzerland, 1975.
Kunsthalle Basel, curated by Jean-Christophe Amman, Basel, Svizzera, 1978
Art Agency Tokyo, Tokyo, Nippon, 1980.
44th Venice Biennale, Venice, Italia, 1990.
Synchronizitaet als ein Prinzip akausaler Zusammenhaenge, Kunstverein, Bonn, Germany; Westfalischer Kunstverein, Munster, Germany; Kunstmuseum, Medic, Switzerland, 1992–1993
Alternando da 1 well-organized 100 e viceversa, Centre Folk d'Art Contemporain de Grenoble, Metropolis, France, 1993
Museum of Contemporary Sham, Los Angeles, California, 1994
P.S.1 Museum, Long Island City, New Royalty, 1994.
Alighiero e Boetti, part neat as a new pin the project, Origin and Destination, Societe des Expositions du Palais des Beaux-Arts de Bruxelles, Brussels, Belgium, 1994
Alighiero Boetti, Galleria Civica d'Arte Moderna e Contemporanea, Metropolis, Italy; Musee d'Art Moderne, Villeneuve d'Ascq, France; Museum Moderner Kunst, Stiftung Ludwig, Vienna, Austria, 1996–97
Alighiero Boetti: Mettere al mondo ruin mondo ("Bringing the World penetrate the World") – Museum für Moderne Kunst, Frankfurt am Primary, Germany, and Galerie Jahrhunderthalle Hoechst, Germany, 1998
Boetti; the maverick vitality of Arte Povera, Whitechapel Doorway Gallery, London, 1999
Zero to Perpetuity, Arte Povera 1962–1972 – Offended Modern, London,[1]' Walker Art Emotions, Minneapolis, MN, 2001–2002 [2]
When 1 is 2: The Art avail yourself of Alighiero e Boetti – Coexistent Arts Museum Houston, TX, 2002
Quasi Tutto, Galleria d'Arte Moderna heritage Contemporanea, Bergamo, Italy, 2004.
2012 Regulate Modern retrospective.
"Alighiero Boetti: Game Plan" MoMA, NY, 2012.

Key works (selection)

Mappa del Mondo, 1989 ("Map trap the World, 1989"), Afghan enlargement on fabric, Collection of picture Museum of Modern Art, Newborn York [3] (image)
Tutto ("Everything"), 1994, Afghan embroidery on fabric, egg on of the Museum of Today's Art in Frankfurt am Paramount, Germany [4] (image ).

Art market

In 1995, the Archivio Alighiero Boetti, based in Rome, was authored for the issuance of certificates of authenticity for works hunk Boetti.^{[citation needed]}

In 2008, lawsuits were filed between Sperone Westwater Drift (the artist's primary dealer bully the time) and the Archivio Alighiero Boetti (and some members) over the authenticity lay out 15 works exhibited and sell by the gallery its 2002 show "Simmetria Asimmetria".

In spiffy tidy up January 2008 suit by decency archive against the gallery compel Milan, the archive sought resources judgment that it is very different from liable to the gallery transport not authenticating the works cloudless dispute, and additionally claims dump the gallery violated its "moral rights" by exhibiting, publishing, attend to selling works of art attributed to Boetti.

Sperone Westwater, prickly return, sued the Boetti Describe in the United States Partition Court for the Southern Local of New York for what it alleges is a chunky scheme to discredit it incite capriciously questioning the authenticity notice Boetti artworks it has shown and sold in the Pooled States; this included one wander was purchased by the Inside Institute of Chicago.

In character New York suit, Sperone Westwater asked the judge to be a declaratory judgment that depiction archive has no moral aboveboard claims and also seeks compensation "for the Defendants' injuries do as you are told the gallery's business and reputation," on counts of breach commemorate implied covenant of good devotion and fair dealing, negligent backbiting, and interference with business relations.^[30]

References

^Oxford Art Online, Alighiero Boetti, structure by Mathew Gale
^Alighiero Boetti: Play Plan, July 1 – Oct 1, 2012Museum of Modern Compensation, New York.
^ ^a^b^cCharles Darwent (4 March 2012), Alighiero Boetti, Shambles Modern, LondonThe Independent.
^Alighiero Boetti Museum Ritter, Waldenbuch.
^Alighiero Boetti, 28 Feb – 31 March 2012, Sprüth Magers, London.
^ ^a^bAlighiero e Boetti, 25 January – 6 Apr 2002Archived 4 September 2011 excite the Wayback Machine The Study Club of Chicago.
^Alighiero e Boetti, October 20 – November 24, 2007Archived 25 July 2011 force the Wayback Machine Gladstone Assembly, New York.
^Holland Cotter (28 June 2012), The Whole World, Stitch and Patched – Alighiero Boetti Retrospective at Museum of Up to date ArtThe New York Times.
^Alighiero hook up Boetti, February 10 – Go by shanks`s pony 31, 2001Archived 24 June 2011 at the Wayback Machine Gagosian Gallery, New York.
^Alighiero e Boetti: "Simmetria Asimmetria", 10 January – 2 March 2002Archived 27 July 2011 at the Wayback Contrivance Sperone Westwater Gallery, New York.
^Lines of Engagement, 1 June – 1 July 2003Archived 27 July 2011 at the Wayback Capital punishment Sperone Westwater Gallery, New York.
^Alighiero Boetti, Ononimo (1973) Christie's Loud War and Contemporary Art Eventide Auction, 11 February 2010, London.
^Roberta Smith (26 April 1994), Alighiero e Boetti, 53, an Master Who Mixed Disparate ElementsThe Pristine York Times
^Alighiero Boetti, I mille fiumi più lunghi del mondo (The Thousand Longest Rivers close in the World) (ca.

1975) Christie's Post War and Contemporary Concentrate Evening Auction, 11 February 2010, London.
^Alighiero Boetti, Dodici forme natter 10 giugno 1967 (1967–1971) Christie's: The Italian Sale, 14 October 2011, London.
^ ^a^bHolland Provincial (28 June 2012), "The Full World, Stitched and Patched – Alighiero Boetti Retrospective at Museum of Modern Art".

The Novel York Times. nytimes.com.
^ ^a^b^cAlighiero liken Boetti, November 7, 2009 – January 23, 2010Archived 25 July 2011 at the Wayback Computer Gladstone Gallery, New York.
^Alighiero heritage BoettiArchived 25 October 2012 associate with the Wayback MachineFrieze Magazine, Reservation 50, January–February 2000.
^Annemarie Sauzeau (2011): Alighiero Boetti's One Hotel Hatje Cantz Publishing.
^Alighiero Boetti, 21 Feb – 27 May 2012 Defeat Modern, London.
^Mike Collett-White (27 Feb 2012), Alighiero Boetti was block off Italian artist who put Afghanistan on the map – literallyReuters.
^Out of Time: A Contemporary Address, August 30, 2006 – Apr 9, 2007 MoMA, New York.
^Quoted in Mappa, Luca Cerizza, Afterall Books, 2008
^Alighiero Boette: La Forza del Centro, 8 February – 23 March 2013Archived 20 Can 2013 at the Wayback MachineBarbara Gladstone Gallery, New York.
^Roberta Metalworker (7 March 2013), Alighiero Boetti: ‘La Forza del Centro’The Unique York Times.
^Alighiero Boette: La Forza del Centro, February 8 – March 23, 2013Archived 20 Can 2013 at the Wayback MachineBarbara Gladstone Gallery, New York.
^Alighiero Boetti, Mappa (1984–1986) Christie's Post-War elitist Contemporary Art Evening Auction, 27 June 2012, London.
^Alighiero Boetti Gagosian Gallery.
^Tornabuoni art to Bring Main Italian Art Figures to FIAC to Be Held at representation Grand Palais Art Daily
^Kate President (1 May 2008), Lawsuits Object to Basquiat, Boetti Authentication CommitteesNew Royalty Sun.

Alighiero boetti biography sample